| 翻訳と辞書 |
Cry of Jazz
''The Cry of Jazz'' is a 1959 documentary film by Ed Bland that connects jazz to African American history. It uses footage of Chicago's black neighborhoods and performances by Sun Ra, John Gilmore, and Julian Priester interspersed with scenes of musicians and intellectuals, both black and white, conversing at a jazz club. It has been credited with predicting the urban riots of the 1960s and 70s, and has also been called the first Hip-Hop film.〔Ed Bland, (‘‘The Cry of Jazz’’ )〕〔Matt Rogers, ("In Time" ), ''Waxpoetics'' issue 34〕 In 2010, this film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The Library of Congress had this to say of the film and its significance:
''Cry of Jazz''...is now recognized as an early and influential example of African-American independent filmmaking. Director Ed Bland, with the help of more than 60 volunteer crew members, intercuts scenes of life in Chicago’s black neighborhoods with interviews of interracial artists and intellectuals. ''Cry of Jazz'' argues that black life in America shares a structural identity with jazz music. With performance clips by the jazz composer, bandleader and pianist Sun Ra and his Arkestra, the film demonstrates the unifying tension between rehearsed and improvised jazz. ''Cry of Jazz'' is a historic and fascinating film that comments on racism and the appropriation of jazz by those who fail to understand its artistic and cultural origins.
==Plot==
''The Cry of Jazz'' is set in Chicago at the meeting of a jazz appreciation club of musicians and intellectuals, both Black and White. It is broken up into seven parts. Parts one, three, five, and seven center around conversations between the jazz club members. Parts two, four, and six are done in a documentary style and utilize footage of life in Chicago as well as of Sun Ra’s band performing the music. Alex, the film’s main character, serves as narrator during these sections. Although the film is nominally about jazz, jazz is utilized primaily as a metaphor through which to understand the African American experience.〔Damon Locks, ("''The Cry of Jazz'': Q&A with Director Edward Bland" )〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Cry of Jazz」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|